Here I come to one of the memoir writer’s difficulties—one of the reasons why, though I read so many, so many are failures. They leave out the person to whom things happened. The reason is that it is so difficult to describe any human being. So they say: “This is what happened”; but they do not say what the person was like to whom it happened. And the events mean very little unless we know first to whom they happened. Who was I then? descended from a great many people, some famous, others obscure; . Yet to describe oneself truly one must have some standard of comparison; was I clever, stupid, good looking, ugly, passionate, cold— ? . But of course there was one external reason for the intensity of this first impression: the impression of the waves and the acorn on the blind; the feeling, as I describe it sometimes to myself, of lying in a grape and seeing through a film of semi-transparent yellow.
If I were a painter I should paint these first impressions in pale yellow, silver, and green. There was the pale yellow blind; the green sea; and the silver of the passion flowers. I should make a picture that was globular; semi-transparent. I should make a picture of curved petals; of shells; of things that were semi-transparent; I should make curved shapes, showing the light through, but not giving a clear outline. Everything would be large and dim; and what was seen would at the same time be heard; sounds would come through this petal or leaf—sounds indistinguishable from sights. Sound and sight seem to make equal parts of these first impressions. When I think of the early morning in bed I also hear the caw of rooks falling from a great height. The sound seems to fall through an elastic, gummy air; which holds it up; which prevents it from being sharp and distinct.* The quality of the air above Talland House seemed to suspend sound, to let it sink down slowly, as if it were caught in a blue gummy veil. The rooks cawing is part of the waves breaking—one, two, one, two—and the splash as the wave drew back and then it gathered again, and I lay there half awake, half asleep, drawing in such ecstasy as I cannot describe.